“Costume designers generally work within a realistic tradition. But the only script that the theatrical genius Machine Dazzle follows is an emotional one.”
MACHINE DAZZLE has been dazzling stages via costumes, sets, and performances since his arrival in New York in 1994. Credits include Julie Atlas Muz’s I Am The Moon And and You Are The Man On Me (2004), Big Art Group’s House Of No More (2006), Justin Vivian Bond’s Lustre (2008) and Re:Galli Blonde (2011), Chris Tanner’s Football Head (2014), Soomi Kim’s Change (2015), Pig Iron Theater’s I Promised Myself To Live Faster (2015), Bombay Ricky (Prototype Festival 2016), Opera Philadelphia’s Dito and Aeneus (2017) and Spiegleworld’s Opium (Las Vegas 2018). With Taylor Mac, Machine has collaborated on several projects including The Lily’s Revenge (2009), Walk Across America For Mother Earth (2012) and the Pulitzer Prize-Nominated A 24-Decade History of Popular Music (2016-Present). Conceptualist-as-artist meets DIY meets “glitter rhymes with litter,” Machine was a co-recipient the 2017Bessie Award for Outstanding Visual Design and the winner of a 2017 Henry Hewes Design Award.
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